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Sixth Meditation , hand-prepared mineral colours on wasli paper, 2020, 9.5” x 7”
Minerality (installation view, north wall), Paul Petro Contemporary Art, 2021.
Thirteenth Meditation , hand-prepared mineral colours on wasli paper, 2021, 6” x 5”
Eleventh Meditation , hand-prepared mineral colours on wasli paper, 2020, 6” x 5”
Fine line work has been applied using the squirrel hair brushes (gileri qalam) favoured by Mughal and Rajput miniaturists. While particular works are rendered on a very small scale, the works vary in size and are classified as ‘miniatures’ in name o
Sentry , hand-prepared mineral colours on wasli paper, 2021, 25” x 15”
Fourteenth Meditation , hand-prepared mineral colours on wasli paper, 2021, 6” x 5”
Twelfth Meditation , hand-prepared mineral colours on wasli paper, 2020, 6” x 5”
Minerality (installation view, north and east walls), Paul Petro Contemporary Art, 2021.
A restricted palette of hand-prepared mineral colours has been applied to wasli, a traditional, multi-layered paper. The seven pigments comprised of iron oxides, bone black, chalk white, red ochre, and terre verte green have been sourced from local
Sixteenth Meditation , hand-prepared mineral colours on wasli paper, 2021, 10.5” x 7.5”
Seventeenth Meditation , hand-prepared mineral colours on wasli paper, 2021, 6” x 6”
Fifteenth Meditation , hand-prepared mineral colours on wasli, 2021, 15.25” x 7”
Fourth Meditation (detail), Hand-prepared mineral colours on wasli, 2020, 20” x 32”, 2020
Fifth Meditation , hand-prepared mineral colours on wasli paper, 2020, 10.25” x 5.5” Minerality has been supported by the Ontario Arts Council.
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